🔥 Art to Watch - Works of Ivy Haldeman, Susumu Kamijo, Anna Weyant, and 2 other finds

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HEY Y’ALL! 🔥

Welcome to a new season in the world of art 🥂✨

After a few weeks of post-vacation break, we are back to our regular programming.

I have a few new things prepared for the coming months; a market of opportunities is opening up (no doom porn is allowed in this place), and I want to contribute by providing you with the best tools to navigate these waters. Especially if you are a bit of a data nerd like me.

Without further ado, I’m excited to share 5 pieces worth checking out for this week.

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1) Ivy Haldeman

• 📍 Bio: American, 1985

• 📊 YOY Growth 2023: -65%

• 💰 Record Price: $176,400 for Colossus, Lips, Two Fingers Enter Left, Toes Touch Top, sold at Sotheby's New York in 2022.

• 🌎 Main Market: U.S

💭 My 2 Cents: This piece, painted in 2021, is a big one—literally. It’s 57.52 x 83.5 inches of acrylic on canvas, which matters because her larger works are really drawing attention these days. The estimate? $30,000 to $40,000. But honestly, don’t be surprised if it goes higher. After all, one of her previous works, Two Suits, sold for a whopping $138,000. Now, here’s what I think is interesting about Haldeman’s market right now. Her prices were sky-high in 2021, but they’ve dipped a bit since then. That said, 2024 is showing signs of a rebound, so this might just be a good moment to jump in. And if you’re wondering about her hammer ratio? It’s cooled off since 2021, dropping from 5.54 to just under 1 in 2024. For savvy collectors, this could mean a chance to grab something special before prices start climbing again.

Plus, her solo shows? Still selling out worldwide. Haldeman’s work dives deep into gender and identity, with her quirky hot dogs and power suits taking center stage in today’s conversations about consumerism and autonomy. That kind of depth is why you’ll find her in major collections like ICA Miami and Yuz Museum. Sure, there’s always some risk in a cooling market, but with her institutional backing and consistent gallery presence, I’m betting her long-term value is solid.

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2) Susumu Kamijo

• 📍 Bio: Japanese (Active in USA), 1975

• 📊 YOY Growth 2023: -84%

• 💰 Record Price: $274,723 USD for Marching To The Sun, sold at Poly Auction Hong Kong Limited in 2021.

• 🌎 Main Market: U.S

💭My 2 Cents: You ever walk by something and think, “Why isn’t anyone talking about this?” That’s kind of how I feel about Susumu Kamijo’s The Gathering (2020), which is coming up at Phillips this September. If you’re a collector and you’re not paying attention to this, well, you might want to reconsider. Kamijo’s market? It’s had its moments, for sure. He really took off in 2021, but then things quieted down in 2023. Now though? I think we’re seeing a bit of a bounce back—especially with sell-through rates creeping back up to 75%. Feels like there’s a real opportunity here. And The Gathering? It’s not small—at over 6 x 8 feet, we’re talking a statement piece. Larger works like this tend to hold their value, and this one’s got Kamijo’s signature flashe technique all over it. It’s got that mix of abstraction and playful, familiar forms that really shows off what he’s about. Plus, it’s a nod to his background in Japanese calligraphy, which adds a nice layer of depth.

Now, I get it—2023 wasn’t his best year. Hammer ratios were down. But they’ve evened out at around 1.0 in 2024, which tells me things might be turning around. And as people start hunting for under-the-radar names, I believe The Gathering could be one of those pieces that quietly climbs in value. With Kamijo’s recent exhibitions in Tokyo and New York, this could be one of your last chances to grab something like this before the prices really start jumping.

3) Anna Weyant

• 📍 Bio: Canadian, 1995

• 📊 YOY Growth 2023: -68%

• 💰 Record Price: $1,623,000 for Falling Woman, sold at Sotheby's New York in 2022.

• 🌎 Main Market: U.S

💭 My 2 Cents: Don’t sleep on Anna Weyant’s Drawing for Uh Huh Honey (2019). What am I talking about? Well, this pencil on paper piece is shaping up to be a real hidden gem for collectors. Sure, it’s not as large or flashy as some of her major paintings, but here’s the thing—Weyant’s works on paper have been selling out consistently, with a 100% sell-through rate. That’s impressive. And, just because it’s smaller, doesn’t mean it lacks that special touch. This drawing still has all the hallmarks of Weyant’s signature style: it’s personal, it’s moody, and it’s got that tense, slightly unsettling vibe that makes her work stand out. If anything, it’s a perfect snapshot of her narrative style.

Now, the estimate? It’s between $25,000 and $35,000, which, honestly, feels pretty reasonable to me. When you look at the average price for her works on paper—right around $34,000—this one’s set to sell. And with her solo show coming up at Gagosian London, there’s no doubt that her visibility is only going to increase. So, this drawing could really gain momentum as more eyes are on her.

Of course, there’s always a bit of risk, right? The market for smaller works has been a bit softer lately, but let’s not forget—Weyant’s demand is still strong. If this piece follows the same path as her previous work, it could turn out to be a solid find for anyone who grabs it. Just something to think about.

4) Genesis Tramaine

• 📍 Bio: American, 1983

• 📊 YOY Growth 2023: -51%

• 💰 Record Price: $441,000 for Hosanna, sold at Sotheby's New York in 2022.

• 🌎 Main Market: U.S

💭 My 2 Cents: So, have you been keeping tabs on Genesis Tramaine’s rise? If not, here’s a little heads-up: Saint. Mother. Mary is hitting the auction block at Phillips New York on September 25th. And honestly, this 2019 piece is one you’ll want to pay attention to. It’s got all the hallmarks of what makes her work so striking—bold colors, spiritual themes, and that signature mix of acrylic, oilstick, and spray paint. At 72 inches tall, it’s a big piece, and trust me, it’s going to make a statement.

Now, you might be wondering, why does this matter? Well, her work has been gaining traction in both the U.S. and international markets—especially in Hong Kong, where we’ve seen pieces like Mother of Suns of Thunder go for $341,000 at Phillips in 2023. Sure, prices dipped a bit in 2024, but I wouldn’t sweat it. I actually think this price estimate of $100,000 to $150,000 is a real sweet spot.

In my view, this piece could definitely outperform. Between her growing institutional support—think Rubell Museum and National Gallery of Art—and the way her spiritual narrative is resonating in the contemporary art world, there’s a lot of potential here.

5) Peter Bradley

• 📍 Bio: American, 1940

• 📊 YOY Growth 2023: 42%

• 💰 Record Price: $516,600 USD for Holster, sold at Sotheby's New York in 2022.

• 🌎 Main Market: U.S

💭 My 2 Cents: Peter Bradley’s Site at Hardon (1981) is coming up for auction at Phillips New York on September 25, 2024, and it’s definitely something to keep in mind. His market has been kind of all over the place recently, but this piece—estimated at $30,000–$50,000—might just be the chance to grab something valuable before it fully catches fire.

Now, here’s where it gets interesting—Bradley’s career has seen a real resurgence. People are finally starting to pay attention to his role in the Color Field movement, especially his way of working with acrylic gel. His 1980s pieces haven’t gotten as much attention yet, but that’s exactly why Site at Hardon could have some serious upside. I mean, in 2022, some of his works sold for over $280,000, so who’s to say this one can’t break through its estimate?

But let’s be real—there’s always a bit of risk. His prices dropped in 2023 and 2024, and that’s something to consider. But maybe this dip is just a pause before the next big leap. I think it’s a great moment to jump in before things heat up again.

In the end, Site at Hardon is a solid size, with a strong backstory, and collectors love that. If it goes for closer to the lower estimate, it might just be one of those hidden gems. Bradley’s been under-appreciated for years, but with people starting to rediscover him, this could be a smart move.

-Whenever You Are Ready-

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See you next Wednesday!

-Alvaro (@theartmarketguy)

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