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- š„ Mid-Tier Money Moves + Ad Minoliti
š„ Mid-Tier Money Moves + Ad Minoliti
Clear $2.9B quietly
HEY YāALL!
Thanks for all the great feedback on the Andy Warhol piece I shared last day!
š„ ICYMI ā Catchs from the Last Week:
Today we have an Ad Minoliti that weaponizes cuteness, priced like decor, built like critique. Plus, dealers dump seven-figure flops while mid-tier liquidity leads the exits.
-Todayās Catch-
Ad Minoliti
š My 2 Cents: Teteritas is a Trojan horse. It walks in looking like preschool wall artāsugar pinks, baby blues, geometric blobs, but itās carrying a manifesto on gender, power, and the failure of modernist purity. That eye staring out of the candy-colored void? It knows exactly what itās doing. This isnāt surface-level āqueer joy,ā itās calculated disruption. Minoliti weaponizes cuteness like a scalpel. If you're still stuck collecting Cold War minimalism, this one's probably too honest for your walls.
š Key Numbers: 2021 canvas, 100 x 100 cm, acrylic, priced at Ā£21,500 (approx. $27,000). Provenance? Solid: CrĆØvecÅur Paris ā private French collector. Minolitiās last few solos include Peres Projects Seoul, BALTIC, Tate St Ives, CAM St. Louis. Institutional buys keep stacking (Kadist, PAMM, Taguchi Collection). Still priced below overhyped peers who havenāt touched Venice or a Tate wall.
š§ Why Itās a Smart Pick: You're buying into institutional momentum without paying spec-flipper premiums. The market hasnāt caught up to the CV yet. This is a primary-market sleeper with legs, and Teteritas hits the sweet spot: iconic style, clear period, pre-hype price.
Turn Art into an Asset Class
Each week, I open five private strategy calls for collectors who want their next acquisition to work harder ā capital appreciation, liquidity, hard data, zero guesswork.
ā 30-minute 1-on-1 portfolio audit: we map your budget, risk, and exit horizon, then pinpoint specific artworks currently on the market.
ā Two months of Artscapy Club membership ā free. Early-access deals, price indices, peer portfolio insights. Regular price: $120. You pay $0.
Hereās what a collector messaged me after our call last week:

He ended up acquiring it 10% below the last comp.
Five spots only. Once they fill, next availability is June.
-In a Minute-
š„ Words I Like: shock absorber, flip-flop, backchannel
How to weaponise the $50kā$1 m band before your first espresso
Mid-tier isnāt sexy. Thatās exactly why it works.
While everyoneās busy quoting Richter or chasing a third Julie Mehretu, smart money is quietly clearing $2.9B in deals between $100k and $1m.
Thatās where the exits are. Fast enough to sell, serious enough to scale.
Itās the liquidity zoneāwhere HNWs, institutions, and advisors all shop when they're not trying to impress anyone.
This isnāt small potatoes. Itās the 85 % that keeps the whole thing moving.
Flip-flop artists like Amoako or Yukhnovich may spike up top, but itās the works under $1m that survive market turbulence.
Ask any dealer with skin in the gameātheyāre pushing consignment under $750k, not shopping seven-figure headaches.

Julie Mehretu, New Museum of American Art
The mental model is simple: find overlooked names priced just under their museum breakout.
Your toolkit: a spreadsheet, last nightās auction CSV, and a caffeine IV.
Cross-match hammer prices with whatās hanging at institutions. Thatās your entry signal.
Then move fast. WhatsApp the dealer before your competitors even realize the catalogueās live.
Cap each deal at 10 % of your total art budget. You want room to maneuver, not flex.
And keep a trailing stop-loss in mindāif two public comps fall 20 % below entry, list it and donāt overthink it.
Youāre not married to the artist. Youāre married to the upside.
The trophy hunters can have their PR. Youāll take the liquidity.
-Whenever You Are Ready-
Here are 3 ways I can help you:ā
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See you soon!

-Alvaro (@theartmarketguy)
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