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đŸ”„ Picasso Prison Drama + Tom Wesselmann

Why billionaires buy cubism

-Today’s Catch-

Tom Wesselmann

Tom Wesselmann, Sunset Nude #1, 2002

💭 My 2 Cents: Tom Wesselmann’s Sunset Nude #1 might not scream originality at first glance, another Pop nude, shocking, but the devil's in the details (and that Claire Wesselmann verso signature doesn't hurt). Wesselmann’s market feels a bit like that dependable stock that never quite skyrockets but never crashes either. Yep, it's no Warhol; his auction highs barely scrape into double-digit millions, while Andy lounges comfortably at nine figures. But lately, with big-name galleries, heavyweight shows (looking at you, Fondation Louis Vuitton), and upcoming highlights like Bonhams’ April sale bringing fresh collector attention, there's a scent of upward mobility.

🔑 Key Numbers: Priced at £650,000, this 2002 piece hits right within Wesselmann’s premium market range (£500K–£1M), historically reserved for prime canvases. With an 88.7% sell-through rate and recent average hammer ratios sitting comfortably at 1.26, the odds of holding value look solid.

🧠 Why It’s a Smart Pick: Buying Wesselmann now feels like snatching a prime seat before the show truly starts. While there’s a risk the market hype might plateau (especially after the Louis Vuitton buzz fades), the calculated gamble here is banking on increased auction attention and institutional momentum to push prices higher. For those tired of Pop's usual blue-chippers, Wesselmann’s your contrarian pick; a quiet giant about to make more noise.

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-In a Minute-

đŸ”„ Words I Like: bougie, sus, dumpster-fire

Picasso Prison Drama

China’s ultra-rich are still pouring insane bankrolls into Picasso, turning twisted cubist portraits into must-have status symbols. At Sotheby’s latest London evening auction, another Picasso vanished East, casually scooped up for a cool £4.3 million. Owning a Picasso is no longer just art collecting, it’s the ultimate flex for Chinese billionaires racing for social clout.

But the art market isn’t all trophies and triumphs—just ask Lisa Schiff, celebrity art adviser turned cautionary tale. Schiff was handed a 2.5-year prison sentence for skimming millions from trusting collectors. Her lavish lifestyle (luxury hotels, designer wardrobes, and personalized leather notebooks) was a flashing red sign nobody spotted until it was too late. Lesson learned: if your adviser’s Instagram looks richer than yours, check your invoices immediately.

Pablo Picasso, Buste de femme, 1953

Shady dealings aren’t limited to advisers, either. TEFAF Maastricht, the Rolls-Royce of art fairs, is still struggling with sketchy provenance claims. This year’s fair overflowed with vague labels like “Property of a Hong Kong Gentleman,” leaving serious collectors asking some very uncomfortable questions. But with the EU’s tough new import rules looming, ignoring provenance checks could soon turn into a very expensive mistake.

Meanwhile, Millennials and Gen Z collectors couldn’t care less about quiet prestige. They’re storming galleries, dropping millions on emerging talents like Hilary Pecis and JadĂ© Fadojutimi, hungry for viral hits and instant credibility. For these buyers, art is as much about being seen as it is about the work itself. Quiet connoisseurship is out; bold, public bets on the next big thing are in.

Yet, not everyone is celebrating. Pearl Lam, Asia’s legendary gallery owner, is sounding alarms: Hong Kong’s art market is hitting the brakes, feeling pressure from tightening regulations, geopolitical tensions, and fierce competition from Singapore. Lam says this slowdown feels different
 more ominous and lasting than past dips.

Maybe your Picasso is safe, maybe not, but either way: check your paperwork, watch your wallet, and trust nobody with a nicer feed than yours.

-Whenever You Are Ready-

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-Alvaro (@theartmarketguy)

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Not financial advice. Frame&Flame is strictly educational and is not investment advice or a solicitation to buy or sell any assets or to make any financial decisions.