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- đ„ Qatar Is the New Math + Cristina Banban
đ„ Qatar Is the New Math + Cristina Banban
Youâve got 9 months.
HEY YâALL!
Thanks for all the great feedback on the Yoshitomo Nara piece I shared last day!
đ„ ICYMI â Catchs from the Last Weeks:
Today we have a BanBan that predates the Perrotin hype: fleshy, raw, and already tight on comps. Plus, Qatarâs art market is about to write its own price index.
-Todayâs Catch-
Cristina Banban
đ My 2 Cents: Youâll hear itâs âjust a drawingâ, but Mariana isnât some casual sketch. Itâs a fully worked pastel from 2020, right before BanBanâs breakout Del Llanto series. Same fleshy limbs, same intimate tension, just on paper. And paper from this period hits different, itâs looser, rawer, closer to the gut. Itâs also pre-Perrotin, pre-Skarstedt, pre-everything. The price isnât cheap, but this isnât filler material. Itâs an early marker from when she was still shaping the language.
đ Key Numbers: Made in 2020. 44 x 30 cm. Signed front and back. Sold originally through 1969 Gallery in New York, her launchpad into the U.S. market. Other works on paper of similar size have cleared ÂŁ18kâÂŁ22k at Phillips and Sothebyâs over the past two years. ÂŁ24k sits near the top end, but this isnât a secondary-tier pastel, this is solo-figure, tight-frame, full-presence BanBan.
đ§ Why Itâs a Smart Pick: If you want a seat at the BanBan table without dropping six figures on canvas, this is the entry point that still carries weight. It's not a leftover or a late-market print, itâs a real, pre-inflation piece that holds narrative and price memory.
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Hereâs what a collector messaged me after our call last week:

He ended up acquiring it 10% below the last comp.
Five spots only. Once they fill, next availability is June.
-In a Minute-
đ„ Words I Like: front-run, dry powder, over-index
Qatar Is the New Math
Hereâs your new clock: 9 months until Art Basel Qatar. Thatâs your alpha window. After that, you're just another tourist in linen pants trying to pay retail.
Everyoneâs still looking at Hong Kong like it's 2019. Smart money is already booking flights to Doha, locking down M7 walk-throughs, and whispering offers to regional galleries before the exhibitor list drops.
This isnât about Qatar the state, itâs about Qatar the price-maker. Theyâve spent two decades building cultural infrastructure with no matching collector base. That means supply is staged, but demand hasn't been priced in.
And the artists? Still cheap. Sub-60k for museum-validated names like Shaikha Al Mazrou or Dana Awartani. These are not scrappy unknowns, they're Venice Biennale and Louvre Abu Dhabi-tier.
You want undervalued with runway? Try Muhannad Shono. Zero auction record. Works acquired by major museums. Heâs still drawing for 30k.

Dana Awartani, Where the Dwellers Lay
Indiaâs miniaturists and Moroccoâs conceptualists are next. Youâll find more pricing inefficiency in Anindita Bhattacharyaâs âŹ7,000 gouaches than in a decade of Phillips day sales.
If youâre lazy, youâll wait for the Basel fair and overpay. If youâre smart, youâll front-run the Basel hype and pre-buy the booth.
This is how wealth gets positioned: stealth, early, with leverage. Set up art-backed credit lines before the froth hits. Commit only 30% in Feb. Let the region catch up and mark you up.
No one cares what you think of Doha. But they will care if you own what their museums are about to chase.
-Whenever You Are Ready-
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See you soon!

-Alvaro (@theartmarketguy)
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